Many of the usual suspects were represented, including Dan Flavin, Jenny Holzer, and Keith Sonnier, and their work looked fresh in this modest-size space. Sonnier's neon and aluminum "Cross Station" (1991), for example, is 48 by 48 inches but seemed much smaller here, while his two 1990 studies on graph paper lifted the pieces into the imaginary space of Cubist multiperspectivism.....
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